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PEEP series

2008/12/08 UP DATE #001

vol.1 03 PEEPING REIKO PEEPING RYUICHI

Sakamoto: American punks have completely different images on the New York side and the Los Angeles side.
Reiko: No But it seems that the origin of punk is London, but it's America. Also, velvet, midnight, and cowboys are irresistible.
Sakamoto: What is "desire"?
Reiko: Oh, of course I like it!
Sakamoto: It's about the same time. There's a miniskirt around that... Jane Birkin's time.
Reiko: That's why it's the one that I really like in Warhol movies. I went to see it when I was in the 4th grade of elementary school. Warhol's "The Devil's Way".
Sakamoto: For real?
Reiko: I didn't understand it.
Sakamoto: I'm a big fan of Warhol too. My idol. That factory feeling is cool.
Reiko: "Ultra Violet" is amazing, and even if you come out in the interview right now, it's still cool. Isn't there a person who gets slipped in time and becomes dull? I think it's amazing because there are no fashionable people with just the extension.
Sakamoto: Because Warhol, it looks cool right now.
Reiko: Is it cool to live now?
Sakamoto: Are you a good old man? There aren't many people like that.
Reiko: Don't try to listen to the current song.
Sakamoto: I don't even know it.
Reiko: But it's also interesting. I didn't know about Destiny Child, but I was a DJ and I tried it out fashionably. Recently, I play 80's new wave.
Sakamoto: Heaven Seventeen? Human ring?
Reiko: Yes Yes.
Sakamoto: That side is good.
Reiko: I'm calling from there. It's a French guy and YMO has a really maniac guy, and it's shocking if I play it every time.
Sakamoto: Listen to Baron?
Reiko: Listen to me calling at Baron. Great nerd But next time I had a record version of YMO and it was the day I chose the song, it played about twice a day without permission. But that seems to be the case. For the time being, it seems like European people like it when it's taken for the first time, and it gets really exciting. Because you dance in Serina Ishikawa? I loved cheek and danced. Oh, it doesn't matter.
Sakamoto: It doesn't go to Aki Nakamura?
Reiko: Can you understand that much? But I like Pink Lady surprisingly. I think it's interesting. Also, it was juicy fruit that everyone enjoyed during this time. Isn't it pop? He is quite familiar with European people.
Sakamoto: From the perspective of Westerners, Japanese women look like children and are close to that. It's a stereotype that kids are doing it. It seems that dolls are doing that kind of pop.
Reiko: Yeah, it looks cute However, there were many European people before, but now the number of people in New York is increasing, and there are children of the group of Chloe Seveny and Harmony Colin in New York, but those children are Satoshi Ishii I like Like "Burst City, Saw Goishi, Great!" Well, do you think any kind of child likes "exploding city"? I was surprised. Doesn't it look funny when you look over there?
Sakamoto: I bought a box set.
Reiko: Lie, I also have a "explosion". My brother who got the box.
Sakamoto: I think it's really cool.
Reiko: I don't think it looks humorous, when viewed from a foreigner.
Sakamoto: I wonder if it has a big influence on "Kill Bill". It feels like it's open. Like manga. A "Kill Bill" way of looking at manga, like manga-like Japan.
Reiko: Also Sophia Coppola, Sophia's daughter. There are many foreigners who like and dislike "Lost Translation". But I think it's an interesting place. Like 109. I think Tokyo is really interesting when you go abroad.
Sakamoto: Japanese taxis are interesting. Especially the shape. It seems strange to the eyes of a foreigner. It's on the top or the color.
Reiko: I'll take a picture of a foreigner. Is it Asian?
Sakamoto: It's a bit Asian, but is it unique to Japan?
Reiko: Moreover, it's not particularly developing.
Sakamoto: But it's chaotic. Feeling that it is not maintained at all. It's so messy that it's very funny.
Reiko: I'm sure Golden Town is also interesting.
Sakamoto: Yeah. I like everyone
Reiko: Is it good to be small?
Sakamoto: You must feel Japan. Today's Japan, like a picture. It's said that the Japanese restaurant in Kyoto is another old Japan.

Interview: Masanobu Sugatsuki
Continue to dialogue vol2 [Planned to be released in late December 2008]

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